Switch Hitter: Jerry Douglas’ Both Ways (1975)
Dave takes a look at a giant buried deep within the recesses of bisexual-themed cinema.… Read More Switch Hitter: Jerry Douglas’ Both Ways (1975)
Category: Reviews
Romania or Bust: DeCoteau by Torchlight IV
Matty looks at Petticoat Planet (1995) and Lurid Tales: The Castle Queen (1995) – the final films David DeCoteau would craft for Torchlight Entertainment – before giving the skinny on the helmer’s own spin-off, Bikini Goddesses (1996).… Read More Romania or Bust: DeCoteau by Torchlight IV
DeCoteau By Torchlight III: Blonde Heaven (1995)
Matty savours David DeCoteau’s scintillating slice of horrotica. … Read More DeCoteau By Torchlight III: Blonde Heaven (1995)
Psycho Biddy, Qu’est-ce Que c’est: Hollywood Horror House (1970)
Dave juggles golden-era Tinseltown while tripping LSD in hag-horror heaven.… Read More Psycho Biddy, Qu’est-ce Que c’est: Hollywood Horror House (1970)
DeCoteau By Torchlight II: Beach Babes From Beyond (1993) & Beach Babes 2: Cave Girl Island (1995)
Matty splashes about with the second film made for Full Moon’s sexy subdivision and its sequel.… Read More DeCoteau By Torchlight II: Beach Babes From Beyond (1993) & Beach Babes 2: Cave Girl Island (1995)
Test Tube Teens From the Year 2000 (1994): DeCoteau By Torchlight
Matty assesses the first film made by Full Moon’s sexy subdivision.… Read More Test Tube Teens From the Year 2000 (1994): DeCoteau By Torchlight
A Kinda Magic – Witchouse II: Blood Coven (2000)
Matty swoons over J.R. Bookwalter’s splendid sequel. … Read More A Kinda Magic – Witchouse II: Blood Coven (2000)
Ragged Roots: Return of the Family Man (1989)
Matty dissects the debut feature of direct-to-video practitioner John Murlowski: a middling slasher with a few points of interest. … Read More Ragged Roots: Return of the Family Man (1989)
King of the Roughies: A Threesome from Phil Prince
Dave ventures into the New York underground to get down n’ dirty with a not-so-titillating triptych. … Read More King of the Roughies: A Threesome from Phil Prince
The Schlock Pit 