Is That a Lightsaber in Your Pocket? Star Virgin (1979)

A long time ago in a galaxy far, far away, Dave mulls over a hand solo…

Switch Hitter: Jerry Douglas’ Both Ways (1975)

Dave takes a look at a giant buried deep within the recesses of bisexual-themed cinema.

Psycho Biddy, Qu’est-ce Que c’est: Hollywood Horror House (1970)

Dave juggles golden-era Tinseltown while tripping LSD in hag-horror heaven.

King of the Roughies: A Threesome from Phil Prince

Dave ventures into the New York underground to get down n’ dirty with a not-so-titillating triptych.

Welsh Gothic: Andrew Jones on The Haunting of Margam Castle

Dave catches up with the workaholic Welshman to get the skinny on his latest. The Haunting of Margam Castle marks the twenty-fifth feature from prolific director Andrew Jones in the last seven years, and it could well be his most impressive-looking movie so far. The Welshman has always had an eye for a good shot; […]

Corona Zombies (2020) or: How Full Moon Brought Education To Exploitation

Dave catches up with screenwriters Kent Roudebush and Sylvia St.Croix, as well as associate producer Brooks Davis, to discuss the concept, controversy and cause behind Charles Band’s latest brainwave.

Dancing Through City Lights: Richard Munchkin Chats Dance or Die (1987)

Dave catches up with helmer Richard Munchkin and gets the dirt on his distinguished ’80s thriller.

Into the Valet: Rafal Zielinski’s Scruples with Screwballs (1983) & Co.

The Screwballs trilogy, Recruits (1986), State Park (1988) and of course Valet Girls (1987): a perfect cross-section of low-brow, direct-to-video ‘80s comedy. All directed by Rafal Zielinski, a Canadian journeyman who Dave was convinced would be thrilled to look back on his early career…

Puppet on a Shoestring: Andrew Jones talks Robert the Doll

‘There’s a new Puppet Master in town’ screams the cheeky tagline from the third Robert the Doll movie; ironically, Andrew Jones may well be the natural successor to Charles Band, and here he tells Dave about his love for Full Moon and how anonymity suits him just fine.